Living In A Storied Land
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Dane-zaa stories about their land go back to an ancient time when giant animals lived by hunting people. Saya, the Transformer, is associated with Swans who can fly through to Heaven and return to earth. He overcame the giant animals with the help of his wise grandmother, Asun. She still guards the land, the elders say, wherever there is one tall spruce tree standing higher than the others. One such place is called Guh tha the, which means "Spruce Tree Hill." Billy Attachie states:

"That place never been fire.
I think my grandma generation, fire went through there.
Every time the fire come near, it go around. Never burn.
That place never burns, how many generation.
There's a spiritual thing in there."

Oral histories of the Dane-zaa describe how, in ancient times, Saya, the transformer, watched the giant animals and learned how to hunt them. He taught the people to become hunters instead of prey. Saya placed the giant animals beneath the earth. The elders say that pools of grease from the bodies of the giant animals lie beneath Dane-zaa territory. Charlie Yahey predicted that the white people would discover this resource and drill wells into the earth. He warned that the grease from the giant animals would power their vehicles and airplanes, and as a result, "make the world too small."

Chief Garry Oker of the Doig River First Nation explains that, "The Dreamers predicted many changes for the Dane-zaa people. They warned us about the loss of land, the destruction of animal habitat, the earthquakes, the giant snakes (pipelines) and the burning matchsticks (natural gas flare stacks). Our storied land is now being industrialized; these things are becoming our reality." But the Dreamers' songs, he said, "connect contemporary Dane-zaa to our storied land."



Dane-zaa elder Mary Apsassin above Peace River, 2002. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Tar Davis, Eddie Apsassin and Ricky Apsassin with horses and wagon. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Jack Askoty at community pond, Doig River Reserve, 1968. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Alex Moose and trapping cabin, Prophet River, 1965. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Hunter setting out, Prophet River, 1965. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Johnny Chipesia setting beaver snares, Prophet River, 1966. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Camp at Halfway River Reserve, 1966. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Murray Attachie and son Tommy with bear, Doig River Reserve. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Hunting camp, mountains west of Prophet River, 1966. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Preparing bed of spruce boughs for butchering moose, Prophet River Reserve, 1966. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Johnny Chipesia skinning moose, Prophet River Reserve, 1966. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Eskmama fleshing moosehide with bone fleshing tool, Doig River Reserve. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Daeda (Mary David) making drymeat, Doig River Reserve, 1979. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Lori Makadahay cutting moose for drymeat, 2002. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Gas flare pit, Dane-zaa territory, 2002. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Doig River First Nation members with Howard Broomfield, at oil well head. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.


Truck with oil rig near Chinchaga Lake, 2002. Ridington/Dane-zaa Digital Archive, Doig River First Nation Cultural Centre.